DRYLANDS
Walking lies at the core of Isabelle Kettner’s work, a way to steady her restlessness, sharpen perception, and pursue freedom. This approach has led her to centre her practice as a black-and-white photographer on the everyday life of nomadic peoples, the terrains they call home, and the small moments that define them.
Travel is integral to her work. Venturing into remote areas within the Sahara and Sahel, she often sleeps under open skies alongside nomadic pastoralists, following their daily rhythms and challenges at a time when many of these communities are shifting towards a more settled way of life. Joining their world of continuous movement demands endurance and flexibility, teaching her to work with only the essentials. Using a Leica Monochrom and a 50 mm lens — closely mirroring the human eye — she maintains a disciplined perspective, remaining present but unobtrusive.
The minimalist beauty of the deserts where she has spent time with tribes such as the Bidhan, Haratin, Rebaiya, Bisharin, Jebeliya, and Al Alegat shapes her visual language. Stark contrasts of black and white echo the extremes of the landscape, hint at a fading way of life and reflecting the fragility of these communities. Kettner’s photographs are restrained and direct, moving beyond clichés of emptiness or romantic isolation revealing the desert as a living archive. Through her work, she invites viewers to witness an alternative way of living, one in which land and memory remain deeply intertwined, yet increasingly under threat.